The story begins in Los Angeles. A casual meeting, a studio booked \u201cjust in case,\u201d and the spark was instant. Within 55 minutes, Steven Tyler, Joe Perry, and Dominic Harrison (a.k.a. Yungblud) had written a song together. The vibe was undeniable. Perry himself confessed that after just four days of recording with Yungblud, he called up Steven: \u201cYou\u2019ve got to hear this guy. He\u2019s got the juice.\u201d<\/em> That\u2019s not industry hype\u2014that\u2019s a veteran guitarist recognizing raw voltage when it\u2019s in the room.<\/p>\n\n\n\n \u201cMy Only Angel\u201d is proof. It opens with Tyler\u2019s voice a cappella, raw and pleading\u2014\u201cWill you cry, if I called you my angel?\u201d<\/em>\u2014before layers of guitars crash in, delays stretching the edges, and a solo from Perry that snarls as much as it sings. Yungblud doesn\u2019t shy away from the moment. He surges into the verses, part punk urgency, part spiritual possession, and the blend feels less like a feature and more like a new band being born.<\/p>\n\n\n\n But this isn\u2019t a one-off single. One More Time<\/em> is a five-track EP<\/strong>, set for release on November 21, 2025<\/strong>, via Capitol Records. The tracklist is locked in: My Only Angel<\/em>, Problems<\/em>, Wild Woman<\/em>, A Thousand Days<\/em>, and a 2025 remix of Aerosmith\u2019s classic Back in the Saddle<\/em>. It\u2019s the kind of lineup that dares to fuse legacy with reinvention.<\/p>\n\n\n\n For Aerosmith, this EP is more than just a release\u2014it\u2019s a resurrection. After years without new material (their last album of originals was 2012\u2019s Music from Another Dimension!<\/em>), many assumed they were done creating. Instead, they\u2019ve lit the engines again, and rather than look backward, they\u2019ve chosen to collide with the present.<\/p>\n\n\n\n For Yungblud, it\u2019s validation and transformation rolled into one. The kid who grew up blasting Aerosmith records now finds himself trading lines with Tyler and riffs with Perry. And instead of being swallowed by their shadow, he amplifies it\u2014injecting youth, grit, and a 21st-century edge.<\/p>\n\n\n\n The chemistry isn\u2019t forced; it\u2019s alive. Early studio clips show Perry tweaking pedals, Tyler howling into the mic, and Yungblud bouncing across the floor like he owns the room. It doesn\u2019t feel like a \u201cguest feature.\u201d It feels like a band that could tour arenas tomorrow. And that\u2019s the real story here: not nostalgia, not novelty, but a signal. Rock is still hungry. Still mutating. Still capable of blowing the walls down.<\/p>\n\n\n\n Now, the technical side: what rigs did they use, what weapons were plugged in at the studio? There isn\u2019t an official Rig Rundown for the One More Time<\/em> sessions yet, but here\u2019s what\u2019s confirmed, what\u2019s been spotted, and what we can reasonably piece together:<\/p>\n\n\n\n In short: there\u2019s no official breakdown yet, but all signs point to a hybrid of classic Aerosmith rigs\u2014Gibson into Marshall, raw and loud\u2014with Yungblud\u2019s modern, fuzzed-out SG tones. A perfect storm of heritage and disruption.<\/p>\n\n\n\n Photo Credit: Aerosmith, Yungblud, VMAS<\/p>","protected":false},"excerpt":{"rendered":" By Dara Christine, September 2025 Sometimes rock needs a shock of generations to remind itself what it\u2019s made of. That\u2019s exactly what just happened: Aerosmith and Yungblud have joined forces, and the result is an EP titled One More Time. On paper it sounds unlikely, almost crazy\u2014but in practice, it feels like destiny. The Boston […]<\/p>\n","protected":false},"author":1,"featured_media":23961,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[91,95,97,84,93,96,94,98,92],"class_list":["post-23960","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","tag-aerosmith","tag-capitol-records","tag-fender","tag-gibson","tag-joe-perry","tag-les-paul","tag-steven-tyler","tag-telecaster","tag-yungblud"],"_links":{"self":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23960","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/comments?post=23960"}],"version-history":[{"count":3,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23960\/revisions"}],"predecessor-version":[{"id":23966,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23960\/revisions\/23966"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/media\/23961"}],"wp:attachment":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/media?parent=23960"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/categories?post=23960"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/tags?post=23960"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/09\/Yungblud-och-Aerosmith-tillkannager-One-More-Time-EP-innan-du-1024x650.jpg\")
<\/figure>\n\n\n\n![\"\"](\"https:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/09\/aerosmith-yungblud-1024x683.webp\")
<\/figure>\n\n\n\nGear Box: What We Know, What We Deduce<\/strong><\/h2>\n\n\n\n
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\u201cOne More Time isn\u2019t just a record\u2014it\u2019s a reminder that rock is best when it\u2019s reckless enough to rewrite itself.\u201d<\/strong>
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