{"id":23812,"date":"2025-08-08T08:38:06","date_gmt":"2025-08-08T08:38:06","guid":{"rendered":"https:\/\/guitarmadrid.com\/?p=23812"},"modified":"2025-08-08T08:38:06","modified_gmt":"2025-08-08T08:38:06","slug":"glenn-frey-said-it-best-when-he-said-we-created-a-monster-with-hotel-california-and-it-ate-us-don-felder-on-the-making-of-the-eagles-the-long-run","status":"publish","type":"post","link":"https:\/\/guitarmadrid.com\/es\/2025\/08\/08\/glenn-frey-said-it-best-when-he-said-we-created-a-monster-with-hotel-california-and-it-ate-us-don-felder-on-the-making-of-the-eagles-the-long-run\/","title":{"rendered":"\u201cGlenn Frey said it best when he said we \u2018created a monster with Hotel California, and it ate us\u2019\u201d: Don Felder on the making of the Eagles\u2019 The Long Run"},"content":{"rendered":"<div id=\"article-body\">\n<p>After <em>Hotel California<\/em>, the <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/eagles\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/eagles\">Eagles<\/a>\u2019 landmark 1976 album, saw them rise from country rockers to just plain rockers, <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/don-felder\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/don-felder\">Don Felder<\/a> and his bandmates should have been on top of the world \u2013 but all was not well in paradise.<\/p>\n<p>The warm smell of colitas was not rising up through the air, and there was a distinct lack of cool wind in the band\u2019s collective hair. Exhaustion, infighting, drugs and alcohol \u2013 basically the tropes that were supposed to drag down rock bands, as per Cameron Crowe\u2019s <em>Almost Famous<\/em> \u2013 had all but derailed the Eagles.<\/p>\n<aside data-block-type=\"embed\" data-render-type=\"fte\" data-skip=\"dealsy\" data-widget-type=\"seasonal\" class=\"hawk-base\" \/>\n<p>After the supporting tour for <em>Hotel California<\/em>, they could have stopped \u2013 and they should have stopped\u2026 for the night (okay, that\u2019s my last <em>Hotel California<\/em> reference) \u2013 but they didn\u2019t. Instead, they hit the first of what would be five studios in 18 months and kicked off the sessions for the aptly titled <em>The Long Run<\/em>.<\/p>\n<aside data-component-name=\"Recirculation:ArticleRiver\" data-nosnippet=\"\" class=\"clear-both pt-3 pb-4 mb-4 border-solid border-y border-neutral-300\"><span class=\"font-article-heading block pb-3 !text-base font-bold uppercase sm:text-sm text-[#333]\">You may like<\/span><\/aside>\n<p>Don Felder, one of the classic Eagles lineup\u2019s trio of guitarists alongside Glenn Frey and <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/joe-walsh\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/joe-walsh\">Joe Walsh<\/a>, remembers this period well. \u201c<em>The Long Run<\/em> was a kind of crazy album,\u201d he says. \u201cWe started without very many song ideas.\u201d<\/p>\n<p>Given the sheer strength of <em>Hotel California<\/em>, it\u2019s strange to think the Eagles suffered from a lack of songs, but it\u2019s true.<\/p>\n<p>\u201cJoe had joined during the <em>Hotel California<\/em> album,\u201d Felder says. \u201cWhen we got to <em>The Long Run<\/em>, we were right off the road, going into the studio, and nobody had a break or time to start writing. It was a difficult time personally, physically, emotionally and creatively in every way.\u201d<\/p>\n<div class=\"youtube-video youtube-facade\" data-nosnippet=\"\">\n<div class=\"video-aspect-box\">\n<div class=\"watch-on-iframe-w-XGi32bX0c\" data-yt-video-token=\"w-XGi32bX0c\" title=\"Eagles - The Long Run (Official Audio) - YouTube\"><span class=\"youtube-video-title\">Eagles &#8211; The Long Run (Official Audio) &#8211; YouTube<\/span><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/img.youtube.com\/vi\/w-XGi32bX0c\/maxresdefault.jpg\" alt=\"Eagles - The Long Run (Official Audio) - YouTube\" data-aspect-ratio=\"16\/9\" loading=\"lazy\" class=\"lazyload\" \/><\/div>\n<\/div>\n<p><a class=\"watch-on-youtube-w-XGi32bX0c\" href=\"https:\/\/youtu.be\/w-XGi32bX0c\" target=\"_blank\" data-url=\"https:\/\/youtu.be\/w-XGi32bX0c\" data-hl-processed=\"none\">Watch On <\/a><\/div>\n<p>On the surface, <em>The Long Run<\/em> doesn\u2019t seem too far off from <em>Hotel California<\/em>. But Felder refers to <em>The Long Run<\/em> sessions as a dark time, adding, \u201cIf you look at it, that\u2019s why the record is black. And when you opened it up, the photo of us was dark.\u201d<\/p>\n<p> {        window.reliablePageLoad.then(() =&gt; {            var componentContainer = document.querySelector(&#8220;#slice-container-newsletterForm-articleInbodyContent-c9JSooRcEEY9i7nEaH3z9Q&#8221;);            if (componentContainer) {                var data = {&#8220;layout&#8221;:&#8221;inbodyContent&#8221;,&#8221;header&#8221;:&#8221;Get The Pick Newsletter&#8221;,&#8221;tagline&#8221;:&#8221;All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!&#8221;,&#8221;formFooterText&#8221;:&#8221;By submitting your information you agree to the <a href=\"https:\/\/futureplc.com\/terms-conditions\/\" target=\"_blank\">Terms &amp; Conditions<\/a> and <a href=\"https:\/\/futureplc.com\/privacy-policy\/\" target=\"_blank\">Privacy Policy<\/a> and are aged 16 or over.&#8221;,&#8221;successMessage&#8221;:{&#8220;body&#8221;:&#8221;Thank you for signing up. 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Please refresh the page and try again.&#8221;,&#8221;method&#8221;:&#8221;POST&#8221;,&#8221;inputs&#8221;:[{&#8220;type&#8221;:&#8221;hidden&#8221;,&#8221;name&#8221;:&#8221;NAME&#8221;},{&#8220;type&#8221;:&#8221;email&#8221;,&#8221;name&#8221;:&#8221;MAIL&#8221;,&#8221;placeholder&#8221;:&#8221;Your Email Address&#8221;,&#8221;required&#8221;:true},{&#8220;type&#8221;:&#8221;hidden&#8221;,&#8221;name&#8221;:&#8221;NEWSLETTER_CODE&#8221;,&#8221;value&#8221;:&#8221;XGW-X&#8221;},{&#8220;type&#8221;:&#8221;hidden&#8221;,&#8221;name&#8221;:&#8221;LANG&#8221;,&#8221;value&#8221;:&#8221;EN&#8221;},{&#8220;type&#8221;:&#8221;hidden&#8221;,&#8221;name&#8221;:&#8221;SOURCE&#8221;,&#8221;value&#8221;:&#8221;15&#8243;},{&#8220;type&#8221;:&#8221;hidden&#8221;,&#8221;name&#8221;:&#8221;COUNTRY&#8221;},{&#8220;type&#8221;:&#8221;checkbox&#8221;,&#8221;name&#8221;:&#8221;CONTACT_OTHER_BRANDS&#8221;,&#8221;label&#8221;:{&#8220;text&#8221;:&#8221;Contact me with news and offers from other Future brands&#8221;}},{&#8220;type&#8221;:&#8221;checkbox&#8221;,&#8221;name&#8221;:&#8221;CONTACT_PARTNERS&#8221;,&#8221;label&#8221;:{&#8220;text&#8221;:&#8221;Receive email from us on behalf of our trusted partners or sponsors&#8221;}},{&#8220;type&#8221;:&#8221;submit&#8221;,&#8221;value&#8221;:&#8221;Sign me up&#8221;,&#8221;required&#8221;:true}],&#8221;endpoint&#8221;:&#8221;https:\/\/newsletter-subscribe.futureplc.com\/v2\/submission\/submit&#8221;,&#8221;analytics&#8221;:[{&#8220;analyticsType&#8221;:&#8221;widgetViewed&#8221;}],&#8221;ariaLabels&#8221;:{}};                var triggerHydrate = function() {                    window.sliceComponents.newsletterForm.hydrate(data, componentContainer);                }                if (window.lazyObserveElement) {                    window.lazyObserveElement(componentContainer, triggerHydrate);                } else {                    triggerHydrate();                }            }        }).catch(err =&gt; console.error(&#8216;%c FTE &#8216;,&#8217;background: #9306F9; color: #ffffff&#8217;,&#8217;Hydration Script has failed for newsletterForm-articleInbodyContent-c9JSooRcEEY9i7nEaH3z9Q Slice&#8217;, err));    }).catch(err =&gt; console.error(&#8216;%c FTE &#8216;,&#8217;background: #9306F9; color: #ffffff&#8217;,&#8217;Externals script failed to load&#8217;, err));]]><\/p>\n<div id=\"slice-container-newsletterForm-articleInbodyContent-c9JSooRcEEY9i7nEaH3z9Q\" class=\"slice-container newsletter-inbodyContent-slice newsletterForm-articleInbodyContent-c9JSooRcEEY9i7nEaH3z9Q slice-container-newsletterForm\">\n<div data-hydrate=\"true\" class=\"newsletter-form__wrapper newsletter-form__wrapper--inbodyContent\">\n<div class=\"newsletter-form__container\">\n<section class=\"newsletter-form__top-bar\" \/>\n<section class=\"newsletter-form__main-section\">\n<p class=\"newsletter-form__strapline\">All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!<\/p>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<p>To Felder\u2019s point, if you dig deeper into <em>The Long Run<\/em>, themes of darkness linger. Be it <em>The Disco Stranger<\/em>, with its overt disdain for four-on-the-floor beats, or the bewilderment of <em>I Can\u2019t Tell You Why<\/em>, <em>The Long Run<\/em> is a snapshot of a band on the brink of self-destruction. But it wasn\u2019t all bad, as Felder and Walsh traded off plenty of quintessential riffs and solos.<\/p>\n<p>\u201cJoe and I always had a great personal relationship and a great deal of respect for each other,\u201d Felder says. \u201cWe developed, without even talking about it, the ability to dance together, where somebody would take a step back and support the person who stepped forward, and that person would step back and support the other person to step forward.\u201d<\/p>\n<div class=\"youtube-video youtube-facade\" data-nosnippet=\"\">\n<div class=\"video-aspect-box\">\n<div class=\"watch-on-iframe-Odcn6qk94bs\" data-yt-video-token=\"Odcn6qk94bs\" title=\"Eagles - I Can't Tell You Why (Official Video) [HD] - YouTube\"><span class=\"youtube-video-title\">Eagles &#8211; I Can&#8217;t Tell You Why (Official Video) [HD] &#8211; YouTube<\/span><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/img.youtube.com\/vi\/Odcn6qk94bs\/maxresdefault.jpg\" alt=\"Eagles - I Can't Tell You Why (Official Video) [HD] - YouTube\" data-aspect-ratio=\"16\/9\" loading=\"lazy\" class=\"lazyload\" \/><\/div>\n<\/div>\n<p><a class=\"watch-on-youtube-Odcn6qk94bs\" href=\"https:\/\/youtu.be\/Odcn6qk94bs\" target=\"_blank\" data-url=\"https:\/\/youtu.be\/Odcn6qk94bs\" data-hl-processed=\"none\">Watch On <\/a><\/div>\n<p>After a year and a half of self-inflicted damage, <em>The Long Run<\/em> hit shelves in September 1979. Although not as lauded as <em>Hotel California<\/em>, <em>The Long Run<\/em> eventually sold in the millions, giving the Eagles a proper followup.<\/p>\n<p>Still, critics weren\u2019t initially kind to <em>The Long Run<\/em>, likely as a market correction for lavishing so much praise on <em>Hotel California<\/em>. But no shade thrown the Eagles\u2019 way could do more damage than the wounds already inflicted, and by 1980, the Eagles had imploded.<\/p>\n<p>Darkness, sadness and an eventual public breakup will always be inextricably linked to <em>The Long Run<\/em>. But like most things in life, there are two sides to every story, and with separation, Felder can see some positives.<\/p>\n<p>\u201cWe made the absolute best product we could,\u201d he says. \u201cFortunately, it\u2019s kind of stood the test of time. Even though it took a long time to produce, I think it was well worth the effort, the energy and not letting stuff slide by that really shouldn\u2019t be on the record.\u201d<\/p>\n<div class=\"youtube-video youtube-facade\" data-nosnippet=\"\">\n<div class=\"video-aspect-box\">\n<div class=\"watch-on-iframe-J39LK_wDzKw\" data-yt-video-token=\"J39LK_wDzKw\" title=\"Eagles - In The City (Official Video) [HD] - YouTube\"><span class=\"youtube-video-title\">Eagles &#8211; In The City (Official Video) [HD] &#8211; YouTube<\/span><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/img.youtube.com\/vi\/J39LK_wDzKw\/maxresdefault.jpg\" alt=\"Eagles - In The City (Official Video) [HD] - YouTube\" data-aspect-ratio=\"16\/9\" loading=\"lazy\" class=\"lazyload\" \/><\/div>\n<\/div>\n<p><a class=\"watch-on-youtube-J39LK_wDzKw\" href=\"https:\/\/youtu.be\/J39LK_wDzKw\" target=\"_blank\" data-url=\"https:\/\/youtu.be\/J39LK_wDzKw\" data-hl-processed=\"none\">Watch On <\/a><\/div>\n<p><strong>Did the Eagles feel pressure to follow up <\/strong><em><strong>Hotel California<\/strong><\/em><strong> with a great album?<\/strong><\/p>\n<p>\u201cI think Glenn [Frey] said it best when he said we \u201ccreated a monster with <em>Hotel California<\/em>, and it ate us.\u201d We were trying to get back up over the bar because we had raised the bar every album with the songwriting, performance, vocals and guitars; it was more and more refined toward being spotlessly perfect.\u201d<\/p>\n<p><strong>Notoriously, <\/strong><em><strong>The Long Run<\/strong><\/em><strong> took 18 months to record \u2013 in five different studios! That had to be draining. <\/strong><\/p>\n<p>\u201cBernie [Leadon] had left the band during the very end of the <em>One of These Nights<\/em> album [1975] because he kept saying, \u2018We need to take a break. We just needed to take three weeks or a month off, stop doing it, go to Hawaii, get some rest, get off drugs and drinking and just recharge ourselves, and then regroup.\u2019 Nobody wanted to do that.\u201d<\/p>\n<p><strong>Why not?<\/strong><\/p>\n<p>\u201cEverybody kept saying, \u2018We\u2019re pushing this uphill, we\u2019ve got to keep going.\u2019 [Bernie\u2019s advice] was probably the most sound advice anybody gave that band, and it was only upon his departure that I realized how right he was. The longer we stayed at that pace, the more difficult it became to be happy, in a good mood, have fun and write great songs. It was just very heavy to continue on.\u201d<\/p>\n<div class=\"youtube-video youtube-facade\" data-nosnippet=\"\">\n<div class=\"video-aspect-box\">\n<div class=\"watch-on-iframe-Mjxzif7BYMs\" data-yt-video-token=\"Mjxzif7BYMs\" title=\"The Disco Strangler (2013 Remaster) - YouTube\"><span class=\"youtube-video-title\">The Disco Strangler (2013 Remaster) &#8211; YouTube<\/span><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/img.youtube.com\/vi\/Mjxzif7BYMs\/maxresdefault.jpg\" alt=\"The Disco Strangler (2013 Remaster) - YouTube\" data-aspect-ratio=\"16\/9\" loading=\"lazy\" class=\"lazyload\" \/><\/div>\n<\/div>\n<p><a class=\"watch-on-youtube-Mjxzif7BYMs\" href=\"https:\/\/youtu.be\/Mjxzif7BYMs\" target=\"_blank\" data-url=\"https:\/\/youtu.be\/Mjxzif7BYMs\" data-hl-processed=\"none\">Watch On <\/a><\/div>\n<p><strong>Despite the heaviness and darkness surrounding the band, <\/strong><em><strong>The Long Run<\/strong><\/em><strong> boasts several great songs, including <\/strong><em><strong>Those Shoes<\/strong><\/em><strong>, which features you and Joe on dueling talk boxes.<\/strong><\/p>\n<p>\u201cI wanted to do some unique stuff with Joe, so I wrote the music for what became <em>Those Shoes<\/em>. I wanted to do two talk boxes, like two trumpets that would play that line. So Joe and I played harmony talk boxes, and we had a place for a talk box solo, which had never existed on any of the Eagles\u2019 records. It was a new sound in those days.\u201d<\/p>\n<p><strong>You also wrote the music for one of the more rocking tracks on the record, <\/strong><em><strong>The Disco Strangler<\/strong><\/em><strong>.<\/strong><\/p>\n<p>\u201cI wrote the song that Don Henley started writing lyrics to called <em>The Disco Strangler<\/em>. It was back in the disco days, and [Don] hated disco. [Laughs] He hates the four-on-the-floor beats; he just wanted to kill disco, you know? So he took this little music track I had written and he wrote [the lyrics for] <em>The Disco Strangler<\/em>.\u201d<\/p>\n<div class=\"youtube-video youtube-facade\" data-nosnippet=\"\">\n<div class=\"video-aspect-box\">\n<div class=\"watch-on-iframe-bEiDPGoMhMw\" data-yt-video-token=\"bEiDPGoMhMw\" title=\"The Greeks Don't Want No Freaks (2013 Remaster) - YouTube\"><span class=\"youtube-video-title\">The Greeks Don&#8217;t Want No Freaks (2013 Remaster) &#8211; YouTube<\/span><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/img.youtube.com\/vi\/bEiDPGoMhMw\/maxresdefault.jpg\" alt=\"The Greeks Don't Want No Freaks (2013 Remaster) - YouTube\" data-aspect-ratio=\"16\/9\" loading=\"lazy\" class=\"lazyload\" \/><\/div>\n<\/div>\n<p><a class=\"watch-on-youtube-bEiDPGoMhMw\" href=\"https:\/\/youtu.be\/bEiDPGoMhMw\" target=\"_blank\" data-url=\"https:\/\/youtu.be\/bEiDPGoMhMw\" data-hl-processed=\"none\">Watch On <\/a><\/div>\n<p><strong>It\u2019s it true that your solo song <\/strong><em><strong>Heavy Metal<\/strong><\/em><strong> originated from <\/strong><em><strong>The Long Run<\/strong><\/em><strong> sessions?<\/strong><\/p>\n<p>\u201cI wanted to do a follow-up to <em>Hotel<\/em>, where Joe and I could play off each other, much like we do in <em>Hotel<\/em>. We recorded a basic track tentatively titled <em>You\u2019re Really High, Aren\u2019t You? <\/em>but we didn\u2019t have lyrics, and I was just writing the music. It was much heavier, sort of toward the heavy metal edge, but it would have been more refined, like <em>Hotel<\/em> was, but with a harder rock edge. We loved it.\u201d<\/p>\n<p><strong>If you loved it, why didn\u2019t that track end up on <\/strong><em><strong>The Long Run<\/strong><\/em><strong>?<\/strong><\/p>\n<p>\u201cWe ran out of the time we had allocated to finish the album. We had a tour starting, so there\u2019s a track that was written by me and played live by the Eagles, but it never got finished. So when I got a call from a movie director to come to the studio and write songs for this crazy animated movie called <em>Heavy Metal<\/em> [1981], I thought of the track and said, \u2018Maybe I could take the idea musically and turn it into something for this movie,\u2019 because it was never going to happen with the Eagles at that point. So I did.\u201d<\/p>\n<div class=\"youtube-video youtube-facade\" data-nosnippet=\"\">\n<div class=\"video-aspect-box\">\n<div class=\"watch-on-iframe-SYqEgFEkxek\" data-yt-video-token=\"SYqEgFEkxek\" title=\"Don Felder - Heavy Metal (Takin' a Ride) - YouTube\"><span class=\"youtube-video-title\">Don Felder &#8211; Heavy Metal (Takin&#8217; a Ride) &#8211; YouTube<\/span><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/img.youtube.com\/vi\/SYqEgFEkxek\/maxresdefault.jpg\" alt=\"Don Felder - Heavy Metal (Takin' a Ride) - YouTube\" data-aspect-ratio=\"16\/9\" loading=\"lazy\" class=\"lazyload\" \/><\/div>\n<\/div>\n<p><a class=\"watch-on-youtube-SYqEgFEkxek\" href=\"https:\/\/youtu.be\/SYqEgFEkxek\" target=\"_blank\" data-url=\"https:\/\/youtu.be\/SYqEgFEkxek\" data-hl-processed=\"none\">Watch On <\/a><\/div>\n<p><strong>How did you, Glenn and Joe divide the guitar parts on the rest of <\/strong><em><strong>The Long Run<\/strong><\/em><strong>?<\/strong><\/p>\n<figure>\n<blockquote class=\"vanilla-quoteblock\">\n<p>We never played three Gibsons \u2013 it was always a Strat, a Tele and a Les Paul, or a Gretsch, just to have tonal separation<\/p>\n<\/blockquote>\n<\/figure>\n<p>\u201cA lot of that just kind of fell into place as things happened. It really fell into what was needed for each song and who was going to play what. We never played three Gibsons; it was always a <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/features\/best-stratocasters-top-fender-stratocasters-for-every-budget\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/features\/best-stratocasters-top-fender-stratocasters-for-every-budget\">Strat<\/a>, a <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/features\/best-telecasters-fender-guitars\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/features\/best-telecasters-fender-guitars\">Tele<\/a> and a <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/features\/best-gibson-les-pauls-for-every-budget\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/features\/best-gibson-les-pauls-for-every-budget\">Les Paul<\/a>, or a Gretsch, just to have tonal separation. You could recognize one player because his sound was so different from the others.<\/p>\n<p>\u201cI remember Joe came into the studio one day with this old Strat. He brought it in, plugged it in and was sitting there playing, and I said, \u2018That thing sounds great. Let me hear that,\u2019 and I picked it up, and it sounded like me. [Laughs] It didn\u2019t sound like Joe. So we just kind of figured out, \u2018Okay, who\u2019s gonna play what?\u2019\u201d<\/p>\n<p><strong>As far as lead guitar goes, how would you describe the yin and yang between you and Joe while recording <\/strong><em><strong>The Long Run<\/strong><\/em><strong>?<\/strong><\/p>\n<p>\u201cAs we were soloing together, he would go up and be playing high and I\u2019d be playing a solo underneath him halftime, and he would be playing faster, and I\u2019d be playing low and slow. Then he would start coming down, so I\u2019d start going up, and he\u2019d be playing low and slow and I\u2019d be playing fast and high.<\/p>\n<p>\u201cIt was a dance we worked out without ever having talked about it. It was just a natural way we figured out how to play together, sense each other and respect each other.\u201d<\/p>\n<figure><img decoding=\"async\" alt=\"Don Felder plays a white double-neck onstage with the Eagles in 1979\" loading=\"lazy\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/cdn.mos.cms.futurecdn.net\/Q9tiGLTMFbbY7TbgfBxroL.jpg\" data-pin-media=\"https:\/\/cdn.mos.cms.futurecdn.net\/Q9tiGLTMFbbY7TbgfBxroL.jpg\" class=\"lazyload\" \/><figcaption><span class=\"credit\">(Image credit: Paul Natkin\/Getty Images)<\/span><\/figcaption><\/figure>\n<p><strong>Despite it being a long process during a dark period, did you feel good about <\/strong><em><strong>The Long Run<\/strong><\/em><strong> the first time you listened back to it?<\/strong><\/p>\n<p>\u201cI thought we had done a really good job with what he had. We had people with casts and wounds and crutches to get through the very few last months of finishing that record. But when you listen to it, you don\u2019t hear any of that. It just came across really great. I was happy that we had done it, you know, put a bow on it and put it out.\u201d<\/p>\n<p><strong>Do you look back on <\/strong><em><strong>The Long Run<\/strong><\/em><strong> fondly now that you\u2019ve had some separation?<\/strong><\/p>\n<p>\u201cYeah. I think the combination of all the players I was in the band with, like Bernie and then Joe, and Randy Meisner and then <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/artists\/bassists\/timothy-b-schmidt-the-eagles\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/artists\/bassists\/timothy-b-schmidt-the-eagles\">Timothy [B. Schmit<\/a>], who joined to replace Randy, the music and the writing were of a really high quality.<\/p>\n<p>\u201cWe just kept setting the bar higher and higher and higher in songwriting, lyrics, vocals and guitar parts and in the way the band sounded and the way it was recorded.\u201d<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>After Hotel California, the Eagles\u2019 landmark 1976 album, saw them rise from country rockers to just plain rockers, Don Felder and his bandmates should have been on top of the world \u2013 but all was not well in paradise. The warm smell of colitas was not rising up through the air, and there was a [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":23813,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-23812","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events"],"_links":{"self":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/comments?post=23812"}],"version-history":[{"count":1,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23812\/revisions"}],"predecessor-version":[{"id":23814,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23812\/revisions\/23814"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/media\/23813"}],"wp:attachment":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/media?parent=23812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/categories?post=23812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/tags?post=23812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}