{"id":23718,"date":"2025-08-06T23:54:14","date_gmt":"2025-08-06T23:54:14","guid":{"rendered":"https:\/\/guitarmadrid.com\/?p=23718"},"modified":"2025-08-06T23:54:14","modified_gmt":"2025-08-06T23:54:14","slug":"i-know-im-being-judged-right-now-i-read-comments-saying-youve-got-nothing-on-brent-im-not-worrying-i-feel-free-how-nick-johnston-wen","status":"publish","type":"post","link":"https:\/\/guitarmadrid.com\/es\/2025\/08\/06\/i-know-im-being-judged-right-now-i-read-comments-saying-youve-got-nothing-on-brent-im-not-worrying-i-feel-free-how-nick-johnston-wen\/","title":{"rendered":"\u201cI know I\u2019m being judged right now. I read comments saying, \u2018You\u2019ve got nothing on Brent.\u2019 I\u2019m not worrying. I feel free\u201d: How Nick Johnston went from instrumental virtuoso du jour to joining Mastodon and playing Ozzy Osbourne\u2019s final show"},"content":{"rendered":"<div id=\"article-body\">\n<p>Having cemented his name over the past decade as one of the most respected instrumental rock guitarists of his generation, Nick Johnston is someone many <em>Guitar World<\/em> readers will already be familiar with. And right now the Canadian is buzzing from some of the biggest achievements of his career to date.<\/p>\n<p>He\u2019s just unveiled a line of <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/schecter-guitars\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/schecter-guitars\">Schecter<\/a> signature models commemorating the 10th anniversary of his partnership with the company, bringing key elements of the Custom Shop such as the wenge neck and USA pickups to the more affordable Diamond Series.<\/p>\n<aside data-block-type=\"embed\" data-render-type=\"fte\" data-skip=\"dealsy\" data-widget-type=\"seasonal\" class=\"hawk-base\" \/>\n<p>He\u2019s also launching a new project with Porcupine Tree\/<a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/king-crimson\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/king-crimson\">King Crimson<\/a> drummer Gavin Harrison \u2013 their debut full-length <em>Early Mercy<\/em> has just been released.<\/p>\n<aside data-component-name=\"Recirculation:ArticleRiver\" data-nosnippet=\"\" class=\"clear-both pt-3 pb-4 mb-4 border-solid border-y border-neutral-300\"><span class=\"font-article-heading block pb-3 !text-base font-bold uppercase sm:text-sm text-[#333]\">You may like<\/span><\/aside>\n<p>But the juiciest development for the legato-loving virtuoso has thrust his name out of the instrumental underground and into the glaring limelight of the mainstream. For the last few months, he\u2019s been living the rock and roll dream after <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/artists\/guitarists\/nick-johnston-plays-with-mastodon\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/artists\/guitarists\/nick-johnston-plays-with-mastodon\">being recruited by prog metal heavyweights Mastodon<\/a>, after they <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/artists\/guitarists\/bill-kelliher-on-brent-hinds-mastodon-exit\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/artists\/guitarists\/bill-kelliher-on-brent-hinds-mastodon-exit\">parted ways with Brent Hinds<\/a>.<\/p>\n<p>Though <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/artists\/guitarists\/ben-eller-mastodon\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/artists\/guitarists\/ben-eller-mastodon\">YouTuber Ben Eller was drafted<\/a> to fill in for their performance at Tool\u2019s Live In The Sand festival, Johnston has been stage right for every show since. He now finds himself two tours in, with the general consensus being that he\u2019s a perfect fit.<\/p>\n<p>\u201cIt\u2019s turning out to be an unforgettable summer,\u201d smiles Johnston, talking to <em>GW<\/em> from his home studio on a rare day off in his increasingly busy schedule. \u201cWe played to 110,000 people yesterday in Quebec City. After the Sabbath show, I don\u2019t there\u2019s ever going to be anything more intense. It was a proper trial by fire, with the pressure of five million people streaming. Anything after that gig is a bonus!\u201d<\/p>\n<p><a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/mastodon\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/mastodon\">Mastodon<\/a> began their set at Back to the Beginning with fan favorites <em>Black Tongue<\/em> and <em>Blood And Thunder<\/em> before serving up an earth-rumbling rendition of Black Sabbath\u2019s <em>Supernaut<\/em>. It was no ordinary cover either; they enlisted Danny Carey, Mario Duplantier and Eloy Casagrande \u2013 three of the most respected drummers in metal \u2013 to join in for an all-star jam.<\/p>\n<p> {        window.reliablePageLoad.then(() =&gt; {            var componentContainer = document.querySelector(&#8220;#slice-container-newsletterForm-articleInbodyContent-fRcKjZYcURCFLmA7ZFASvR&#8221;);            if (componentContainer) {                var data = {&#8220;layout&#8221;:&#8221;inbodyContent&#8221;,&#8221;header&#8221;:&#8221;Get The Pick Newsletter&#8221;,&#8221;tagline&#8221;:&#8221;All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!&#8221;,&#8221;formFooterText&#8221;:&#8221;By submitting your information you agree to the <a href=\"https:\/\/futureplc.com\/terms-conditions\/\" target=\"_blank\">Terms &amp; Conditions<\/a> and <a href=\"https:\/\/futureplc.com\/privacy-policy\/\" target=\"_blank\">Privacy Policy<\/a> and are aged 16 or over.&#8221;,&#8221;successMessage&#8221;:{&#8220;body&#8221;:&#8221;Thank you for signing up. 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For my solo, I ended up exaggerating all the trills to pay my respects to <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/tony-iommi\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/tony-iommi\">Tony Iommi<\/a>.\u201d<\/p>\n<div class=\"youtube-video youtube-facade\" data-nosnippet=\"\">\n<div class=\"video-aspect-box\">\n<div class=\"watch-on-iframe-h2gGsMwvGWQ\" data-yt-video-token=\"h2gGsMwvGWQ\" title=\"Harrison\/Johnston - Flourish and Perish - YouTube\"><span class=\"youtube-video-title\">Harrison\/Johnston &#8211; Flourish and Perish &#8211; YouTube<\/span><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/img.youtube.com\/vi\/h2gGsMwvGWQ\/maxresdefault.jpg\" alt=\"Harrison\/Johnston - Flourish and Perish - YouTube\" data-aspect-ratio=\"16\/9\" loading=\"lazy\" class=\"lazyload\" \/><\/div>\n<\/div>\n<p><a class=\"watch-on-youtube-h2gGsMwvGWQ\" href=\"https:\/\/youtu.be\/h2gGsMwvGWQ\" target=\"_blank\" data-url=\"https:\/\/youtu.be\/h2gGsMwvGWQ\" data-hl-processed=\"none\">Watch On <\/a><\/div>\n<p><strong>What did you get up to afterwards \u2013 did you get to meet any legends?<\/strong><\/p>\n<p>\u201cOther than Rob from <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/metallica\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/metallica\">Metallica<\/a>, who was really cool, I didn\u2019t meet too many people. I was keeping to myself. I\u2019m still just the new guy! I got to bed at a decent time. I don\u2019t want anything affecting my performance or to feel like I\u2019m wasting anyone\u2019s time. It\u2019s not worth it.\u201d<\/p>\n<p><strong>Well, these are the biggest gigs of your career. You\u2019ll naturally want to sound every bit as good as you should sound.<\/strong><\/p>\n<p>\u201cI know I\u2019m being judged right now. There are people with their arms crossed, as if to say, \u2018Lemme see about this guy!\u2019 I read comments saying, \u2018You\u2019ve got nothing on Brent\u2019 and it\u2019s like, \u2018Okay, I\u2019m doing my best here!\u2019\u201d<\/p>\n<p><strong>It feels like you\u2019re a great pick for Mastodon \u2013 like Brent, you keep it bluesy with a lot of <\/strong><a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/magazine\/depth-guide-hybrid-picking-will-have-you-playing-pro-no-time-all\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/magazine\/depth-guide-hybrid-picking-will-have-you-playing-pro-no-time-all\"><strong>hybrid picking<\/strong><\/a><strong>.<\/strong><\/p>\n<p>\u201cThe parts are so interesting. They\u2019re always doing the unexpected, creating tension through harmonic shifts. I\u2019ve been a fan since <em>Leviathan<\/em>. They write things no-one else would think of. I tried to absorb that into my DNA. My lead approach is similar, because I don\u2019t play straight three note per-string diatonic lines.<\/p>\n<p>\u201cI use chromatics and open strings that have no particular business being in that key to create tension or percussion. If you listen to Brent\u2019s playing, he does a lot of that, but in a more bluegrass way. There\u2019s definitely overlap.\u201d<\/p>\n<figure><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/cdn.mos.cms.futurecdn.net\/Qh9pNJvpXyzn8zXe37D4Jb.jpg\" alt=\"QUEBEC CITY, QUEBEC - JULY 11: Nick Johnston of Mastodon performs at the Festival d'\u00c3\u00a9t\u00c3\u00a9 de Qu\u00c3\u00a9bec on July 11, 2025 in Quebec City, Quebec. (Photo by Barry Brecheisen\/WireImage)\" loading=\"lazy\" data-original-mos=\"https:\/\/cdn.mos.cms.futurecdn.net\/Qh9pNJvpXyzn8zXe37D4Jb.jpg\" data-pin-media=\"https:\/\/cdn.mos.cms.futurecdn.net\/Qh9pNJvpXyzn8zXe37D4Jb.jpg\" class=\"lazyload\" \/><figcaption><span class=\"credit\">(Image credit: Barry Brecheisen\/Getty Images)<\/span><\/figcaption><\/figure>\n<p><strong>A lot of progressive metal can sound futuristic. Maybe it\u2019s those pentatonic ideas that help Mastodon sound more earthy and, ultimately, human?<\/strong><\/p>\n<p>\u201cI\u2019m someone who came from <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/blues\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/blues\">blues<\/a> like <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/jeff-beck\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/jeff-beck\">Jeff Beck<\/a> and SRV, while most of my generation was more into Dream Theater and <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/meshuggah\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/meshuggah\">Meshuggah<\/a>. Because I\u2019ve been writing instrumental music, there\u2019s always been a focus on melody. Solos are a chance to elevate the song. That\u2019s also how Mastodon tend to work.\u201d<\/p>\n<p><strong>What are your current favorites on the setlist?<\/strong><\/p>\n<p>\u201cWe usually open with <em>Tread Lightly<\/em>, which has some great riffs. There\u2019s a cool solo moment at the end, lifting it up one more time. <em>Ember City<\/em> is another favorite. <em>Ghost Of Karelia<\/em> is great \u2013 anything from that era is awesome. <em>Steambreather<\/em> has those big drop A riffs which sound huge. You shouldn\u2019t be able to do that with a six-string, <em>especially<\/em> my Strat-style Schecter!<\/p>\n<figure>\n<blockquote class=\"vanilla-quoteblock\">\n<p>Gavin\u2019s at this Jedi level of musicianship\u2026 he\u2019s in full command and expresses himself as a true artist<\/p>\n<\/blockquote>\n<\/figure>\n<p>\u201cI\u2019m now at a point where I\u2019m not worrying. I feel free. If I hear Bill [Kelliher] doing a pick slide or pinched harmonic, I\u2019ll try to match or harmonize it. I might play around Brann [Dailor]\u2019s vocals with a little lead underneath. Every show feels unique but the songs are always the way they should be.\u201d<\/p>\n<p><strong>I love the fact you got Schecter to make you a Silverburst model to match everyone else on stage.<\/strong><\/p>\n<p>\u201cIt\u2019s different for me, with no single-coils. I can\u2019t believe how quick they turned it around \u2013 I had that guitar within a couple of weeks. There were songs where Troy [Sanders] and Bill were playing Silverbursts and I\u2019d be there with my new purple signature, one of the 10th anniversary models. I figured it would look cool with everyone matching.\u201d<\/p>\n<div class=\"youtube-video youtube-facade\" data-nosnippet=\"\">\n<div class=\"video-aspect-box\">\n<div class=\"watch-on-iframe-TMWvC5xIvhY\" data-yt-video-token=\"TMWvC5xIvhY\" title=\"Mastodon-\"><span class=\"youtube-video-title\">Mastodon-&#8220;Tread Lightly\/The Motherload&#8221; (5\/9\/25) Sonic Temple Festival (Columbus, OH) &#8211; YouTube<\/span><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/img.youtube.com\/vi\/TMWvC5xIvhY\/maxresdefault.jpg\" alt=\"Mastodon-\" data-aspect-ratio=\"16\/9\" loading=\"lazy\" class=\"lazyload\" \/><\/div>\n<\/div>\n<p><a class=\"watch-on-youtube-TMWvC5xIvhY\" href=\"https:\/\/youtu.be\/TMWvC5xIvhY\" target=\"_blank\" data-url=\"https:\/\/youtu.be\/TMWvC5xIvhY\" data-hl-processed=\"none\">Watch On <\/a><\/div>\n<p><strong>You\u2019ve never used many pedals until now. Tell us about your new Waza Craft collection.<\/strong><\/p>\n<p>\u201cAt 17 I had a <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/tag\/boss-corporation\" data-auto-tag-linker=\"true\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/tag\/boss-corporation\">Boss<\/a> DD-3, SD-1 and TU-3. Then I spent years plugging straight into Plexi-style amps and I didn\u2019t need any pedals. When I started thinking about what to use in Mastodon, because certain sections need to jump out more, I thought I\u2019d reach out to Boss. I got the DS-1W, SD-1W, DM-2W, CE-2W, BP-1W and TU-3W.<\/p>\n<p>\u201cThe DS-1W is running all the time into the second channel of a Friedman BE-100 Deluxe, so it\u2019s not too gainy. For leads I switch onto channel three. The other pedals are there if I need more grease. I might use the CE-2W for the <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/lessons\/guitar-arpeggios-8-things-you-need-to-know\" data-before-rewrite-redirect=\"https:\/\/www.guitarworld.com\/lessons\/guitar-tricks-eight-things-you-need-know-about-arpeggios\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/lessons\/guitar-arpeggios-8-things-you-need-to-know\">arpeggios<\/a> on <em>The Motherload<\/em>. I recently tried a Blues Driver and got blown away, so I\u2019m ordering one of those next.\u201d<\/p>\n<p><strong>You\u2019ve worked with Gavin Harrison before, but <\/strong><em><strong>Early Mercy<\/strong><\/em><strong> is the first album you\u2019ve written together. It\u2019s more minimalistic than your solo releases.<\/strong><\/p>\n<p>\u201cIt\u2019s a weird psychedelic album inspired by \u201970s fusion stuff like Return To Forever, Weather Report and Mahavishnu Orchestra. Especially in terms of long-form melodies, like you hear on [1973 Return To Forever album] <em>Hymn Of The Seventh Galaxy<\/em>.<\/p>\n<p>\u201cI wrote some music and sent it over saying, \u2018How\u2019s this?\u2019 And Gavin was like \u2018Nah, I don\u2019t want to use that, I had nothing to do with it.\u2019 To get the ball rolling he gave me folders of odd-time drum loops. I\u2019d drag them into my <a data-analytics-id=\"inline-link\" href=\"https:\/\/www.guitarworld.com\/features\/best-daws-for-guitarists\" data-before-rewrite-localise=\"https:\/\/www.guitarworld.com\/features\/best-daws-for-guitarists\">DAW<\/a> to start building.\u201d<\/p>\n<figure><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/cdn.mos.cms.futurecdn.net\/tMtNkQBMHtHBwchdNpgfSc.jpg\" alt=\"Troy Sanders and Nick Johnston of Mastodon perform at the Festival d'\u00e9t\u00e9 de Qu\u00e9bec on July 11, 2025 in Quebec City, Quebec.\" loading=\"lazy\" data-original-mos=\"https:\/\/cdn.mos.cms.futurecdn.net\/tMtNkQBMHtHBwchdNpgfSc.jpg\" data-pin-media=\"https:\/\/cdn.mos.cms.futurecdn.net\/tMtNkQBMHtHBwchdNpgfSc.jpg\" class=\"lazyload\" \/><figcaption><span class=\"credit\">(Image credit: Barry Brecheisen\/Getty Images)<\/span><\/figcaption><\/figure>\n<p><strong>It must be interesting to write to loops rather than on a piano.<\/strong><\/p>\n<p>\u201cThat\u2019s why some of these songs are so long. It was a different compositional approach. It felt like Gavin and I were playing as two lead instruments, as opposed to a guitar album with Gavin drumming or vice versa.<\/p>\n<p>\u201cIt\u2019s the most experimental thing I\u2019ve done, but I don\u2019t think anyone\u2019s going to be shocked, because everything I do ends up different. I never revisit the same idea twice.\u201d<\/p>\n<p><strong>The first single, <\/strong><em><strong>Sorcerer<\/strong><\/em><strong>, has some interesting rhythmic motifs\u2026<\/strong><\/p>\n<figure>\n<blockquote class=\"vanilla-quoteblock\">\n<p>Brann Dailor is a living legend by this point. Every time I see him play, it\u2019s shocking<\/p>\n<\/blockquote>\n<\/figure>\n<p>\u201cThat came from a drum loop that was in 10\/8. The closing track <em>When The Flesh Was Cast Away<\/em> also has this melody which came from Gavin\u2019s accents. I knew exactly what to write. It was obvious where to go, because of the musical information he\u2019d given me.<\/p>\n<p>\u201cGavin\u2019s at this Jedi level of musicianship. It\u2019s all natural; he\u2019s in full command and expresses himself as a true artist. Now I get to be in a band with him!\u201d<\/p>\n<p><strong>Similar things could be said of Brann.<\/strong><\/p>\n<p>\u201cBrann is a living legend by this point. Every time I see him play, it\u2019s shocking. You can\u2019t take your eyes off him because he\u2019s so compelling. It\u2019s like watching an octopus do all these crazy fills. He has <em>so<\/em> much energy.\u201d<\/p>\n<div class=\"youtube-video youtube-facade\" data-nosnippet=\"\">\n<div class=\"video-aspect-box\">\n<div class=\"watch-on-iframe-V4K9rg0K280\" data-yt-video-token=\"V4K9rg0K280\" title=\"Harrison\/Johnston - Sorcerer - YouTube\"><span class=\"youtube-video-title\">Harrison\/Johnston &#8211; Sorcerer &#8211; YouTube<\/span><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/img.youtube.com\/vi\/V4K9rg0K280\/maxresdefault.jpg\" alt=\"Harrison\/Johnston - Sorcerer - YouTube\" data-aspect-ratio=\"16\/9\" loading=\"lazy\" class=\"lazyload\" \/><\/div>\n<\/div>\n<p><a class=\"watch-on-youtube-V4K9rg0K280\" href=\"https:\/\/youtu.be\/V4K9rg0K280\" target=\"_blank\" data-url=\"https:\/\/youtu.be\/V4K9rg0K280\" data-hl-processed=\"none\">Watch On <\/a><\/div>\n<p><strong>How exactly did you land such a life-changing gig?<\/strong><\/p>\n<p>\u201cI used to hang out with Brendon Small [Dethklok, Metalocalypse]. He was a mentor to me early on when I was trying to understand the industry. One day Brann came along to one of our coffee hangs and we hit it off.<\/p>\n<p>\u201cI\u2019ve worked with great drummers, so I felt like he knew me because of that, having seen names like Gavin Harrison, Marco Minnemann, Thomas Lang and Benny Greb \u2013 this army of absurd players, which sounds ridiculous when you say it out loud.<\/p>\n<p>\u201cLater on, Brann told me I\u2019d be the first person he\u2019d call if anything ever came up. That\u2019s what he did! We\u2019ve become really close over the last few months.\u201d<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Having cemented his name over the past decade as one of the most respected instrumental rock guitarists of his generation, Nick Johnston is someone many Guitar World readers will already be familiar with. And right now the Canadian is buzzing from some of the biggest achievements of his career to date. He\u2019s just unveiled a [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":23719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-23718","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events"],"_links":{"self":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/comments?post=23718"}],"version-history":[{"count":1,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23718\/revisions"}],"predecessor-version":[{"id":23720,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23718\/revisions\/23720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/media\/23719"}],"wp:attachment":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/media?parent=23718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/categories?post=23718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/tags?post=23718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}