{"id":23453,"date":"2025-01-05T22:04:57","date_gmt":"2025-01-05T22:04:57","guid":{"rendered":"https:\/\/guitarmadrid.com\/?p=23453"},"modified":"2025-01-05T22:04:57","modified_gmt":"2025-01-05T22:04:57","slug":"rotem-sivan-neo-soul-guitar-techniques-inspired-by-raphael-saadiq-guitar-pro-blog-arobas-music","status":"publish","type":"post","link":"https:\/\/guitarmadrid.com\/es\/2025\/01\/05\/rotem-sivan-neo-soul-guitar-techniques-inspired-by-raphael-saadiq-guitar-pro-blog-arobas-music\/","title":{"rendered":"[Rotem Sivan] Neo-soul guitar techniques inspired by Raphael Saadiq &#8211; Guitar Pro Blog &#8211; Arobas Music"},"content":{"rendered":"<div id=\"content-wrapper\">\n<section id=\"main\">\n<section>\n<div>\n<div>\n<div>\n<div>\n<div id=\"content\">\n<article itemscope=\"\" itemtype=\"https:\/\/schema.org\/NewsArticle\">\n<header>\n<p><img fetchpriority=\"high\" decoding=\"async\" alt=\"Rotem Sivan jazz guitar lesson neo soul\" height=\"353\" itemprop=\"image\" data-sizes=\"(max-width: 843px) 100vw, 843px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/Neo-soul-jazz-lesson-rotem-sivan-guitar-pro.jpg\" data-srcset=\"https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/Neo-soul-jazz-lesson-rotem-sivan-guitar-pro-300x126.jpg 300w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/Neo-soul-jazz-lesson-rotem-sivan-guitar-pro-1024x429.jpg 1024w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/Neo-soul-jazz-lesson-rotem-sivan-guitar-pro-768x322.jpg 768w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/Neo-soul-jazz-lesson-rotem-sivan-guitar-pro-1536x643.jpg 1536w, http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/Neo-soul-jazz-lesson-rotem-sivan-guitar-pro.jpg 843w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/Neo-soul-jazz-lesson-rotem-sivan-guitar-pro-480x201.jpg 480w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/Neo-soul-jazz-lesson-rotem-sivan-guitar-pro-960x402.jpg 960w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/Neo-soul-jazz-lesson-rotem-sivan-guitar-pro.jpg 1686w\" class=\"lazyload\" width=\"843\"><\/img>                  <\/p>\n<div>\n<p><span>#intermediate<\/span>                                          <\/p>\n<p><i aria-hidden=\"true\"><\/i>                                              Last update: <time itemprop=\"dateModified\">sept. 19, 2024<\/time>                                         <\/p>\n<\/p><\/div>\n<\/header>\n<nav id=\"post-summary\">                                                    <\/nav>\n<section id=\"post-tabs\">\n<div aria-labelledby=\"heading-tabs\" data-parent=\"#post-tabs\" id=\"collapse-tabs\">\n<ul>\n<li>                          <span data-o=\"aHR0cHM6Ly9ibG9nLmd1aXRhci1wcm8uY29tL3dwLWNvbnRlbnQvdXBsb2Fkcy8yMDI0LzA5L1JvdGVtLVNpdmFuLU5lby1Tb3VsLWd1aXRhci1sZXNzb24uZ3A=\" id=\"main_download_button\" title=\"Rotem-Sivan-Neo-Soul-guitar-lesson\">                            rotem-sivan-neo-soul-guitar-lesson.gp                          <\/span>                        <\/li>\n<\/ul><\/div>\n<\/section>\n<section itemprop=\"description\">\n<p>Not long ago, I had the incredible opportunity to connect with one of the most influential figures in the world of neo-soul: <strong>Raphael Saadiq<\/strong>. He\u2019s an absolute pioneer, standing shoulder to shoulder with legends like <strong>D\u2019Angelo and J Dilla<\/strong>. In my opinion, Raphael Saadiq is one of the founding fathers of <strong>neo-sou<\/strong>l, pushing the envelope and creating a whole new sonic landscape that we all love today. Of course, there are many other artists in that universe, but these three really made a profound impact.<\/p>\n<p>While I was in LA, Raphael invited me to hang out at his studio. We spent the entire day jamming, playing around, and diving deep into conversations about the evolution of neo-soul. It was a day full of music, laughter, and even some unexpected surprises. At one point, Raphael casually picked up his phone and FaceTimed Snoop Dogg! Suddenly, I found myself being introduced to Snoop Dogg, right there in the studio. It was surreal!<\/p>\n<p>Later, we started jamming and we discussed what makes neo-soul and lo-fi such captivating genres. Those lush, beautiful sounds and colors that are so characteristic of neo-soul\u2014they\u2019re elements that can be both simple and complex. I want to share with you some of the insights I gained from that day and give you a clear, organized way to explore these sounds on your guitar.<\/p>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"464\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/Dm-Am-Em-chords.jpg\" class=\"lazyload\" width=\"1024\"><\/img><\/section>\n<\/article>\n<\/div>\n<div>\n<p>This is how we barre them<\/p>\n<\/div>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"447\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/Dm-Am-Em-barre-chords-1.jpg\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<p>By converting these chords into barre chords, you begin to move away from the standard sound and into a more versatile and flexible space. Barre chords allow you to start exploring different voicings and positions on the guitar neck, which is essential for creating that neo-soul vibe.<\/p>\n<h2 id=\"step-2-add-the-7th\">Step 2: Add the 7th<\/h2>\n<div>\n<p>To add more depth, we introduce the 7th. For this, simply take one finger off the barre chord.<\/p>\n<\/div>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"447\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/Dm7-Am7-Em7-chords-barre.jpg\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<p>For example, playing D minor 7, A minor 7, and E minor 7 starts to give us that soulful sound, but I personally find the usual shapes a bit dull. Instead, I prefer <strong>shell voicings<\/strong>, which are compact and have a beautiful sound.<\/p>\n<h2 id=\"step-3-shell-voicings\">Step 3: Shell Voicings<\/h2>\n<div>\n<p>A shell chord is a chord that only contains the root, third, and seventh\u2014stripped down and elegant. So, instead of playing a full chord, we focus on the essence of the chord. For instance, play D minor 7, E minor 7, and then jump to A minor using the same shape\u2014it\u2019s literally a copy-paste of shape.<\/p>\n<\/div>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"455\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/Dm7-Am7-Em7-jazz-chords.jpg\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<p>How do you know the names of these chords? The bass notes tell you: D minor 7, E minor 7, and A minor 7.<\/p>\n<h2 id=\"step-4-use-open-strings\">Step 4: Use Open Strings<\/h2>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"455\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/Dm9-Em7-Am7-jazz-chords.jpg\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<div>\n<p>While playing these chords, I found myself adding the open E string, which gives an anchor point that creates a sense of continuity and fluidity. This small addition transforms the chords into D minor 7\/9, E minor 7 with an open E, and A minor with an open E\u2014a very cool texture that makes the progression sound more cohesive. By adding a little bit of rhythm, we start to hear the foundation of a neo-soul groove.<\/p>\n<\/div>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"214\" data-sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/rotem-sivan-tab-jazz.jpg\" data-srcset=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/rotem-sivan-tab-jazz.jpg 1024w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-tab-jazz-300x63.jpg 300w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-tab-jazz-768x161.jpg 768w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-tab-jazz-1536x322.jpg 1536w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-tab-jazz-848x178.jpg 848w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-tab-jazz-480x100.jpg 480w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-tab-jazz-960x201.jpg 960w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-tab-jazz.jpg 1686w\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<h2 id=\"adding-more-color-the-9th-and-the-11th\">Adding More Color: The 9th and the 11th<\/h2>\n<div>\n<p>Next, we add the 9th for more color.<\/p>\n<\/div>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"455\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/Dm9-Em9-Am9-chord-guitarpro.jpg\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<div>\n<p>When I was playing D minor 7\/9, I imagined adding the 11th, which is the G note on top of the D minor 7\/9. When I added it, it felt like a whole orchestra coming together.<\/p>\n<\/div>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"455\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/Dm11-Em11-Am11-jazz-chords.jpg\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<p>Just like that, we moved from a simple D minor, A minor, and E minor progression to something more dynamic and soulful.<\/p>\n<h2 id=\"upper-structures-layering-chords-for-more-melodic-\">Upper Structures: Layering Chords for More Melodic Freedom<\/h2>\n<p>One of the concepts we explored in the studio was using <strong>upper structures<\/strong>. In previous examples, we went from adding the 7th to the 9th to the 11th, essentially stacking thirds on top of the chord. Continuing with this logic, we can find more chords to play. For example, if we go up another third over Dmin9 (D, F, A, C, E, and the 9th G), we notice that the notes also form an Fmaj9 chord.<br \/><\/br><\/p>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"214\" data-sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/rotem-sivan-guitarpro-tab-chords.jpg\" data-srcset=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/rotem-sivan-guitarpro-tab-chords.jpg 1024w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitarpro-tab-chords-300x63.jpg 300w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitarpro-tab-chords-768x161.jpg 768w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitarpro-tab-chords-1536x322.jpg 1536w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitarpro-tab-chords-848x178.jpg 848w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitarpro-tab-chords-480x100.jpg 480w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitarpro-tab-chords-960x201.jpg 960w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitarpro-tab-chords.jpg 1686w\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"446\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/Fmaj9-Gmaj7-C6.jpg\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<p>Simply change the bass note from D to F, and now we\u2019re using the Fmaj9 shape over Dmin11. This approach gives more melodic freedom when adding to the progression.<\/p>\n<div>\n<p>Notice that although we can change the bass notes of the chords, they all still work over the original bass line!<\/p>\n<\/div>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"214\" data-sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/rotem-sivan-guitar-lesson-tab.jpg\" data-srcset=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/rotem-sivan-guitar-lesson-tab.jpg 1024w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitar-lesson-tab-300x63.jpg 300w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitar-lesson-tab-768x161.jpg 768w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitar-lesson-tab-1536x322.jpg 1536w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitar-lesson-tab-848x178.jpg 848w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitar-lesson-tab-480x100.jpg 480w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitar-lesson-tab-960x201.jpg 960w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-guitar-lesson-tab.jpg 1686w\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<h2 id=\"experimenting-with-chord-order-and-quality\">Experimenting with Chord Order and Quality<\/h2>\n<div>\n<p>Changing the order of the chords can create a fascinating sound. Although it might not be perfect for every progression, it\u2019s a staple of the genre.<\/p>\n<\/div>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"214\" data-sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/rotem-sivan-chords-jazz.jpg\" data-srcset=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/rotem-sivan-chords-jazz.jpg 1024w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-chords-jazz-300x63.jpg 300w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-chords-jazz-768x161.jpg 768w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-chords-jazz-1536x322.jpg 1536w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-chords-jazz-848x178.jpg 848w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-chords-jazz-480x100.jpg 480w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-chords-jazz-960x201.jpg 960w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/rotem-sivan-chords-jazz.jpg 1686w\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<div>\n<p>You can also change all the minor chords to major or dominant 9s. For instance, instead of playing D minor, play an F major 7. Then, play G major 7 for E minor and C major 7 for A minor. This creates a fresh, new sound.<\/p>\n<\/div>\n<p><img loading=\"lazy\" alt=\"\" decoding=\"async\" height=\"646\" data-sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/jazz-chords-progression-rotem-sivan.jpg\" data-srcset=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/jazz-chords-progression-rotem-sivan.jpg 1024w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/jazz-chords-progression-rotem-sivan-300x189.jpg 300w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/jazz-chords-progression-rotem-sivan-768x485.jpg 768w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/jazz-chords-progression-rotem-sivan-1536x969.jpg 1536w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/jazz-chords-progression-rotem-sivan-559x353.jpg 559w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/jazz-chords-progression-rotem-sivan-1119x706.jpg 1119w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/jazz-chords-progression-rotem-sivan-428x270.jpg 428w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/jazz-chords-progression-rotem-sivan-856x540.jpg 856w, https:\/\/blog.guitar-pro.com\/wp-content\/uploads\/2024\/09\/jazz-chords-progression-rotem-sivan.jpg 1686w\" class=\"lazyload\" width=\"1024\"><\/img><\/p>\n<p>And remember, the point is to use the bass line as a starting point and explore different colors to open up new doorways in your playing.<\/p>\n<h2 id=\"what-we-explored-in-the-studio\">What We Explored in the Studio<\/h2>\n<p>Raphael and I explored these lush, soulful sounds that define neo-soul, focusing on how simple elements, when approached thoughtfully, can create those rich, iconic vibes. The goal? To make these techniques accessible and help you infuse your guitar playing with that same soulful energy.<\/p>\n<h2 id=\"chord-extensions-key-takeaways\">Chord Extensions: Key takeaways<\/h2>\n<p>One of the key takeaways from the day was the power of <strong>adding chord extensions<\/strong> to the basic chords of a song. By moving fundamental chords into different positions on the guitar and adding subtle variations, you can transform them into something far more expressive.\u00a0<\/p>\n<p>Remember, the magic of neo-soul lies in these subtle nuances\u2014the small changes that make a big difference. So, take your time, explore these techniques, and don\u2019t be afraid to experiment. The more you understand the shapes and the theory behind them, the more freedom you\u2019ll have in your playing. And who knows? Maybe someday, you\u2019ll find yourself jamming in a studio with legends like Raphael Saadiq and Snoop Dogg, too. Keep practicing, stay curious, and most importantly, <strong>enjoy the journey!<\/strong><\/p>\n<p>This article was written by <strong>Rotem Sivan<\/strong>, we invite you to check out his amazing YouTube channel here<\/a>. <\/p>\n<section>\n<h2>Leave a comment<\/h2>\n<p>Your email address will not be published.<\/p>\n<\/section><\/div>\n<\/p><\/div>\n<div>\n<div>\n<div id=\"msb-top-tabs\">\n<p>my<span>Song<\/span>Book top tabs<\/p>\n<p>The official Guitar Pro tabs and scores library<\/p>\n<p>      Browse tabs<\/a>    <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div>\n<div id=\"post-bundle-download\">\n<p><span>Free<\/span> Guitar Pro tabs <span>pack<\/span><\/p>\n<p>                    <img decoding=\"async\" alt=\"\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"http:\/\/guitarmadrid.com\/wp-content\/uploads\/2025\/01\/download_bundle.png\" data-sizes=\"auto\" class=\"lazyload\" data-srcset=\"https:\/\/www.guitar-pro.com\/themes\/gp_child_classic\/assets\/img\/blog\/posts\/download_bundle@2x.png 2x\"><\/img>      <\/a>    <\/p>\n<p>Download hundreds of riffs, licks, and exercises to spice up your guitar practice time.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<\/section>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>#intermediate Last update: sept. 19, 2024 rotem-sivan-neo-soul-guitar-lesson.gp Not long ago, I had the incredible opportunity to connect with one of the most influential figures in the world of neo-soul: Raphael Saadiq. He\u2019s an absolute pioneer, standing shoulder to shoulder with legends like D\u2019Angelo and J Dilla. In my opinion, Raphael Saadiq is one of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":23454,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-23453","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lessons"],"_links":{"self":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/comments?post=23453"}],"version-history":[{"count":1,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23453\/revisions"}],"predecessor-version":[{"id":23468,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/posts\/23453\/revisions\/23468"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/media\/23454"}],"wp:attachment":[{"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/media?parent=23453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/categories?post=23453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guitarmadrid.com\/es\/wp-json\/wp\/v2\/tags?post=23453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}